Allen & HeathAudio mixerRead on allen-heath.comSearched on PriceQ

48 Channel / 36 Bus / 33 Fader Digital Mixer

Last updated Nov 1, 2026 · 3 entries in Page history

The SQ-7 is the largest mixer in the SQ series, a 48 channel, 96kHz digital mixer with 32+1 faders, 32+1 onboard preamps, a 7” touchscreen and 8 stereo FX engines.

48input channels
Input channels: 32+1Faders
Faders: 96kHz
Sampling rate: 17.8kg
Unpacked weight

Part number or model: SQ-7
Type: Audio mixer
Catalog number: Not assigned yet

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Timeline

Dates from the sources in References

28/07/2017Weights and Measures drawing, revision A

Specifications

152 fields, as the sources state them

Overview

A New Standard in Compact Digital Mixing: 48 channel, 96kHz digital mixer for live sound, AV and installation. The Allen & Heath SQ-7 is the largest mixer in the SQ series, designed to meet the needs of demanding audio professionals. Featuring an expansive 32+1 faders, 32+1 onboard preamps, 16 assignable SoftKeys, and 8 assignable Soft Rotaries, the SQ-7 offers unmatched control and customisation.1

Mixing Has Never Been Easier

Drag-and-Drop Layout: Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the displays, allowing you to build a mixing environment that works for you.1
At-a-Glance Metering: Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.1
Intuitive Control: SQ’s dashboard is centred around a high-res 7” touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control.1
Speed Up Your Workflow: All SQ mixers feature SoftKeys which can be assigned to commonly used functions. The SQ-6 and SQ-7 also provide assignable Soft Rotaries for even more custom control.1

All the Tools for the Perfect Mix

Powerful Processing: Every input has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser with RTA, and Peak/RMS compressor for control and shaping of levels and transients. Mixes have both a parametric and 28 band graphic EQ along with compressor as standard, all ready to switch in when required.1
World-Class FX: SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. Every engine has its own dedicated stereo return too, so you don’t need to use up any of your 48 input channels.1

Integrated USB Interface

Record. Stream. Mix.: SQ’s built-in 32×32 96kHz audio interface enables easy multitrack recording, backing-track playback, livestreaming and virtual soundcheck. The interface is class-compliant on Mac OS X making it truly plug ‘n play, with ASIO and WDM compatible drivers available for Windows computers. You can even map the SQ’s faders, rotaries, channel keys and softkeys to control your favourite DAW using the Allen & Heath MIDI Control app.1

Add-Ons

Take Your Mix to the Next Level: Proven on countless world-tours with international artists, DEEP Processing and RackExtra FX from our award-winning dLive digital mixing system is now available within your SQ.1

SQ-Drive

Record to USB: The integrated SQ-Drive makes it quick and easy to capture and playback 16 channels (96kHz), 32 channels (48kHz), or a stereo recording of the performance direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance.1

AMM

Automatic Mic Mixer: SQ’s advanced automatic mic mixers (AMM’s) make it a natural choice for mixing conferences, panel talks and TV shows. They’re fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system. Two fully independent 24 channel AMM’s can be utilised for two zones or combined into a single 48 channel AMM for larger events.1

Built to Last

Designed for the Pro: We know that the live environment can be tough on gear – so for SQ we devised our most punishing regime of testing and retesting yet. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.1

Networking and I/O

All the Ins and Outs: Thanks to its SLink port, SQ can also be expanded up to a total of 48 mic inputs via the Everything I/O family of rack and stage box expanders making it a flexible, mix ‘n’ match solution for owners of other Allen & Heath digital systems.1

Monitor World

The Ultimate IEM Mixer: SQ is the perfect mixer for in-ear monitoring setups, featuring 12 stereo mixes, super-low latency, and both parametric and graphic EQ on every mix. Throw in airline-friendly compactness and rugged build quality and there’s no reason to gamble on house monitor consoles again.1
Give Performers Control: SQ is fully compatible with the ME Personal Mixing System, from the mixer’s SLink port or from a connected remote expander, allowing the performers to take control of their own monitor mixes.1

Features

Audio and Processing: 96kHz XCVI FPGA processing 48 input channels 12 stereo mixes + LR 3 stereo matrix 8 stereo FX engines + dedicated stereo returns DEEP processing ready1
Onboard I/O: 32+1 built-in mic preamps 2 stereo line inputs 16 XLR line outputs 2 TRS line outputs AES output1
Features: Control: 32+1 Faders / 6 Layers 7” capacitive touchscreen 16 assignable SoftKeys 8 assignable Soft Rotaries SQ-MixPad app SQ4You app1
Expandability and Integration: SLink port for remote audio / expansion 64×64 I/O port for audio networking cards (Dante, Waves, MADI, SLink)1
Recording and Streaming: SQ-Drive direct recording to USB 32×32 96kHz USB interface1

Technical Datasheet

Overview: Compact Digital Mixer for Live, Studio and Installation 48 Input Channels 32 Local Mic Inputs (XLR) 2 ¼” Stereo Inputs (TRS) 1 3.5mm Stereo Input 36 Total Busses 12 Stereo Mix (Aux or Group) + Main PAFL Bus 18 Assignable Local Outputs (16 XLR + 2 ¼” TRS) AES Digital Output Dedicated Talkback mic input (XLR) ¼” TRS Headphone out with dedicated control SLink EtherCON connection for remote audio using dSnake/ME, DX or GigaACE/GX protocol (128x128 channels) I/O Port for Option Card (including 3rd party protocols – Dante/Waves) 8 Mute Groups 8 DCA Groups 8 Stereo FX with dedicated FX Returns DEEP Processing Ready RackFX Effects suite 7" colour touchscreen 16 Assignable SoftKeys 8 Assignable Soft Rotaries Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width) 32+1 Faders with 6 Layers for 192 assignable Channel Strips Motorised faders for sends on faders, GEQ fader flip and mix recall 32 Backlit LCD Channel Strip displays Chromatic Channel Metering Integrated Surface Illumination Single/Dual Footswitch Control Input channel pairs switchable mono/stereo Patchable Insert points Input processing – Trim, HPF, Gate, PEQ, Compressor, Delay Output processing – Graphic EQ, PEQ, Compressor, Delay DEEP Automatic Mic Mixing 2 31/61 Band Real Time Analysers Quick copy/paste/reset for parameters User Permissions to restrict operator access 300 Scene memories per show Channel Safes, Global and per Scene Recall Filters FX, processing and channel Libraries SQ-Drive for stereo and multitrack recording/playback direct to USB drive USB transfer of Scenes, Libraries, Shows 32x32 channel USB streaming to/from Mac/PC MIDI via USB or TCP/IP, including DAW control options Remote mixing apps for iPad, Android, Mac and PC Compatible with ME personal monitoring range3

A&E Specifications

A&E Specifications: The mixer shall be a compact digital mixer built around a 96kHz XCVI FPGA core with 48 input channels mixing to LR and 12 stereo mix outputs. The surface shall include 33 moving faders with 6 layers, each layer having dedicated keys, giving easy access to input channels, mixes, FX sends, FX returns, DCA masters and MIDI control. Each fader strip shall have dedicated PAFL, Select, and Mute buttons with indicators, a variable LED meter, a peak indicator LED and variable colour backlit LCD display. There shall be dedicated physical controls which allow for adjustment of key processing parameters, and which follow the select button for the input and output channels. The fader and rotary controls shall be of a high contrast colour to the mixer surface for excellent visibility during operation in low light conditions. The rotary controls shall also be illuminated to indicate function and availability for use. Send levels to mixes shall be displayed and adjusted using the faders. Surface illumination shall be integrated into the bodywork of the mixer. Local analogue inputs shall use balanced XLR sockets and connect to fully recallable digitally controlled preamplifiers. These shall be able to provide up to +60dB of gain, industry standard 48V phantom power, and include a switchable -20dB Pad to allow a maximum input level of +30dBu. Local analogue outputs shall be provided on 16 XLR sockets and 2 balanced TRS ¼ inch Jack sockets. These will have a nominal line output of +4dBu and a maximum output of +22dBu. There shall be a local “SLink” Ethernet audio expansion port with locking EtherCON connector, supporting multiple AoIP protocols and providing access to a maximum 128x128 digital channels, connected over a single cable ‘digital snake’ and allowing remote preamp control of Allen & Heath Remote Audio Units, as well as connection to Allen & Heath ME Personal Mixing Systems. A digital I/O Port shall be provided to accept optional cards, supporting a maximum 128x128 channels and the ability to interface with 3rd party AoIP protocols such as Dante and Waves. All input and output processing, routing options and system configuration shall be accessed and adjusted via a 7-inch colour touchscreen and associated dedicated rotary control. 16 user-assignable SoftKeys with variable colour LED illumination shall be provided for quick access to Input/Mix/DCA/Group Mutes, Tap Tempo, Scene Controls, MMC and SQ-Drive Controls, as well as 8 assignable rotary encoders with LCD display showing their current function. A footswitch connection shall be provided to allow assignable control from an optional single or dual footswitch. There shall be dedicated keys for quick Copy/Paste/Reset of processing parameters and mixes. The ability to assign channel on/off status and to switch between Pre/Post fade to the currently selected mix shall also be provided with dedicated keys. All input channels shall contain the following processing: Polarity, Trim, Insert, Gate, High Pass Filter, Parametric EQ, Compressor, Delay, Pan. All FX Return channels shall contain the following: Parametric EQ, Pan. All output mix channels shall contain the following processing: External input, Polarity, Trim, Insert, Parametric EQ, and Graphic EQ with RTA and fader-flip mode, Compressor, Delay, Balance. All signal delays in the system shall be adjustable in Milliseconds. The mixer will allow the insertion of Allen & Heath DEEP processing models to channels, without affecting latency or processing abilities. 8 user-assignable effect racks shall be provided with a library of factory preset FX emulations. The FX racks shall be individually configurable as send/return from a channel or FX/Mix, or inserted into input or output channels. There shall be 8 DCA groups and 8 Mute groups. An Automatic Mic Mixer shall be provided for automatic and dynamic adjustment of gain in spoken word applications. A global source option for the direct out of each input channel shall be provided in the routing screen. The tap-off point shall be adjusted to the following positions in the processing path: post Preamp, post HPF, post Gate, post Insert return, post PEQ, post Compressor, and post Delay. There shall be further global options to follow Fader, DCA and Mute. Direct outputs shall be assignable via the mixer soft patch bay. A Talkback facility shall be provided with the ability to send to any output mix with on screen status indication. An option to enable talkback latching and HPF shall be provided. A signal generator shall be provided with the ability to send a variable level signal to any output mix with visual assignment status on-screen. The following types of signals shall be available: Sine, White Noise, Pink Noise, and Band-Pass. Comprehensive input, output, and FX channel and RTA metering shall be provided on-screen. 12-LED bar meters on the surface shall indicate the Main mix bus level and the PAFL signal shall override the LR meters accompanied by a PAFL-active indicator. A default Mains to PAFL sub-mix shall be provided. There shall be a USB Type-A connector on the surface for stereo/multitrack recording/playback, data-transfer, archiving, and firmware updates direct to USB drives. On the rear panel there shall be a USB-B connection following the USB 2.0 standard for multi-channel, bi-directional audio streaming and MIDI DAW control between the mixer and a computer. A DAW transport control using popular DAW control protocols for computer shall be available via the touch-screen. Stereo digital output shall be provided on XLR following the AES/EBU standard and with switchable sample rates. The mixer shall provide a Fast Ethernet (100 Mbit/s) port for Cat5 cable connection to a computer for MIDI over TCP/IP control of mixer parameters via a wireless router (access point) for live mixing control, and the mixing system shall include application software for tablet and phone devices connected via a wireless network router to the LAN port. Input and output channel processing and parameters in the mixer shall be saved on demand as a user library item for recall in other channels. All library items shall be archived with the show-file. Library items shall be transferrable to USB drive as portable data to be used in other systems. The mixer shall provide the facility to save 300 scenes of the settings of the mixing system and these scenes shall be nameable. A comprehensive table of ‘Scene Safes’ shall be provided to prevent selected items from being changed from their state when the safe was enabled. A comprehensive scene filter shall be provided per scene to Allow / Block each parameter saved in a scene from being changed as that scene is recalled. An option shall be provided for password protection for log-in of several users with different levels of system access and permissions. A particular scene may be chosen to be recalled per change of user-login if desired. The mixing system shall periodically record all current settings and return the mixer to that state after reboot following a power-cycle. The mixing control surface shall have a built in power supply accepting AC mains voltages of 100~240V, 50/60 Hz, 110W max via an earthed 3-pin IEC male connector mounted on the rear chassis. A Two Pole Push-Button switch shall be provided near the mains input. Recommended operating temperature for the mixer shall be 5 to 35 degrees Celsius. The mixer shall be the Allen & Heath SQ-7.3

Inputs

Mic/Line Inputs: Balanced XLR, fully recallable3
Input Sensitivity: -60 to +0dBu3
Switchable Pad: -20dB3
Analogue Gain: 0dB to +60dB, 1dB steps3
Maximum Input Level: +30dBu3
Mic/Line Inputs: Input Impedance: >5kΩ3
THD+N, Unity gain 0dB: 0.002% -92dBu (20Hz-20kHz, AES Direct Out, @0dBu 1kHz)3
THD+N, Mid gain +30dB: 0.003% -91dBu (20Hz-20kHz, AES Direct Out, @-30dBu INPUT 1kHz)3
Phantom Power: +48V (+3V / -2V)3

Stereo Line Inputs

ST1, ST2 connectors: Balanced, 1/4" TRS jack3
ST3 connector: Unbalanced, stereo 3.5mm Mini Jack3
Input Sensitivity (ST1, ST2 / ST3): Nominal +4dBu ST1, ST2 / 0dBu ST33
Trim: +/-24dB3
Maximum Input Level (ST1,ST2 / ST3): +22dBu / +18dBu3
Stereo Line Inputs: Input Impedance: >7kΩ3

Outputs

XLR Outputs: Balanced, XLR3
Outputs A and B: Balanced 1/4" TRS Jack3
Outputs: Source: Patchable3
Output Impedance: <75Ω3
Nominal Output: +4dBu = 0dB meter reading3
Maximum Output Level: +22dBu3
Residual Output Noise: -90dBu (muted, 20Hz-20kHz)3
AES Digital Output: Balanced XLR 2 channel, 96kHz sampling rate (Default with SRC Bypassed) Switchable output sample rates,44.1kHz/ 48kHz/ 88.2kHz/ (96kHz) 2.5Vpp balanced terminated 110Ω3

SLink

SLink: Connection: Neutrik EtherCON (RJ45)3
dsnake mode (48kHz devices): 40 input 20+40(ME) output channels3
dx mode (96kHz devices): 32 input 32 output channels3
gigaACE/GX (96kHz devices): 128 input 128 output channels3
SLink: Inputs: Fully Patchable3
SLink: Outputs: Fully Patchable3
SLink: Sync/SRC: Assignable as master audio sync for all modes, SRC 64 channel3

I/O Port

I/O Port: Multi-channel I/O option module3
I/O Port: Inputs: Fully Patchable3
I/O Port: Outputs: Fully Patchable3
I/O Port: Sync/SRC: Assignable as master audio sync3

System

System: Measured balanced XLR in to XLR out, 0dB gain, 0dBu input3
Dynamic Range: 112 dB3
Frequency Response: +0/-0.5dB 20Hz to 20kHz3
Headroom: +18dB3
Internal operating Level: 0dBu3
THD+N, Mic/Line routed to Main L/R Out: Unity gain faders@0dB, 0.006%, -84dBu (20 - 20kHz)3
dBFS Alignment: +18dBu = 0dBFS (+22dBu at XLR output)3
Meter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)3
Main Meter Type: 2 x 12 segment, fast (peak) response3
Channel Meter Type: Chromatic Channel Metering, fully programmable colour/brightness3
Peak Indication: -3dBFS (+19dBu at XLR out), multi-point sensing3
Sampling Rate: 96kHz3
Bit Depth: Uses XCVI core custom bit widths in algorithms, up to 96bits3
Latency: <0.7mS, Local Mic Input to Main L/R3
Operating Temperature Range: 0 deg C to 40 deg C (32 deg F to 104 deg F)3
Mains Power: 100-240V AC, 50/60Hz3
Max Power Consumption SQ-5/SQ-6/SQ-7: 75W / 90W / 110W3

Dimensions & Weights

SQ-7 Width x Depth x Height: Desk mounted: 804 x 514.9 x 198 mm (31.7" x 20.3" x 7.8")3
SQ-7 Width x Depth x Height: Packed in shipping box: 960 x 685 x 360 mm (37.8" x 27" x 14.2")3
SQ-7: Unpacked weight: 17.8 kg (39.3 lbs)3
SQ-7: Packed weight: 21.9 kg (48.3 lbs)3

Dimensions

Dimensions: 804.00mm/31.7" 514.9mm/20.3" 501.9mm/19.8" 198.5/7.8" 60.4mm/2.4" 726.00mm/28.6" 386.6mm/15" 5.00° 15.00° 25.00°3

Control

Faders: 100mm motorised3
Touch Screen: 7" Capacitive, 800 x 480 resolution, 24 bit RGB3
SoftKeys: 8 (SQ-5), 16 (SQ-6, SQ-7)3
SoftRotarys: 4 (SQ-6), 8 (SQ-7)3
Mute Groups / DCA Groups: 8 / 83
Network: TCP/IP Ethernet for MIDI and Control3
MIDI: TCP/IP and USB-B3
Footswitch: Single or Dual, Momentary or Latching3

Input Processing

CH1-48: Fully patchable3
USB Global Source: SQ-Drive or USB B Streaming3
Polarity: Normal/Invert3
Input Processing: Trim: -24 to +24dB3
High Pass Filter: 12/18/24dB per octave 20Hz – 2kHz3
Input Processing: Insert (Pre EQ/Comp): Fully Patchable3
Input Processing: Delay: Up to 341ms3
Gate: Patchable Sidechain3
Gate: Sidechain filter: Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k)3
Threshold / Depth: -72dBu to +18dBu / 0 to 60dB3
Attack / Hold / Release: 50µs to 300ms / 10ms to 5s / 10ms to 1s3
Input Processing: PEQ: 4-Band fully parametric, 20-20kHz, +/-15dB3
Band 1, Band 4: Selectable Shelving (Baxandall), Bell, HPF/LPF 12dB/octave3
Band 2, Band 3: Bell3
Bell Width: Variable Q, 1.5 to 1/9th octave3
Input Processing: Compressor: Patchable Sidechain, DEEP options3
Compressor: Sidechain filter: Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k), Q=13
Threshold / Ratio: -46dBu to 18dBu / 1:1 to infinity3
Attack / Release: 30µs to 300ms / 50ms to 2s3
Knee: Soft/Hard3
Detector response: Peak/RMS switchable3
Parallel Path Compression: dry/wet -infin to 0dB3
Channel Direct Out: Follow Fader, Mute, Mute Group, DCA (global all ch)3
Source select: Post-Preamp, Post-HPF, Post-Gate, Insert Return, Post-PEQ, Post-Comp, Post-Delay trim -infin to 10dB per channel3

Mix Processing

Mix Processing: Insert (Pre EQ/Comp): Fully Patchable3
Mix Processing: Delay: Up to 682ms3
GEQ: 28 bands 31Hz-16kHz, +/-12dB Gain, Constant 1/3 oct, DEEP options3
Mix Processing: PEQ: As Input PEQ3
Mix Processing: Compressor: As Input Compressor3

FX

Internal FX: 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus)3
Types: SMR Reverb, Stereo Tap Delay, Gated Reverb, ADT, Blue Chorus Symphonic Chorus, Flanger, Phaser3
8 dedicated Stereo FX returns: Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ3

Audio Tools

PAFL: PFL or stereo in-place AFL, 0 to -24dB Trim, PAFL Delay Up to 682ms3
Talkback: Dedicated input, Assignable to any mix, Gain, Pad, 48V, 12dB/oct HPF3
Signal Generator: Assignable to any input or mix, Sine/White/Pink/Bandpass Noise3
RTA's: 2x 31-Band 1/3 octave (Stereo) or 61-Band 1/6 octave (Mono) 20-20kHz. PAFL/Selected Channel or Fixed Source3

USB Audio

SQ-Drive: USB-A3
Stereo Record: 2 channel, WAV, 96kHz, 24-bit, source fully patchable3
Stereo Playback: 1/2 channel, WAV, 44.1, 48, 96kHz 16,24-bit, source fully patchable3
Multitrack Record: 1-16 channel 96kHz, 1-32 channel 48kHz, 24-bit, WAV, fully patchable3
Multitrack Playback: 1-16 channel 96kHz, 1-32 channel 48kHz, 24-bit, WAV, fully patchable3
USB Audio Streaming: USB-B, Core Audio compliant, ASIO/WDM for Windows3
Send (upstream): 32 channel, 48/96kHz, 24-bit3
Return (downstream): 32 channel, 48/96kHz, 24-bit3

AMMs

Configuration: 2x 24ch or 1x 48ch, freely assignable3
Type: Gain Sharing3
Sidechain Filter HPF / LPF: 12dB/octave 20Hz – 5kHz / 120Hz - 20kHz3
Priority: -15dB to +15dB per channel3

Add-ons

DEEP Preamps: Tube Stage3
DEEP Compressors: Opto, 16T, 16VU, PeakLimiter76, Mighty3
DEEP GEQ's: Proportional-Q, DiGi-GEQ, Hybrid3
RackFX units: De-Esser, DynEQ4, MultiBD3, MultiBD4, Bucket Brigade, Echo, Hypabass3

SQ-7 - without box

SQ-7 - without box: Width: 804mm/31.7"4
SQ-7 - without box: Depth: 514.9mm/20.3"4
SQ-7 - without box: Height: 198.5mm/7.8"4
SQ-7 - without box: Weight: 17.8kg/39.3lbs4

SQ-7 - with box

SQ-7 - with box: Width: 960mm/37.8"4
SQ-7 - with box: Depth: 685mm/27"4
SQ-7 - with box: Height: 360mm/14.2"4
SQ-7 - with box: Weight: 21.9kg/48.3lbs4

History

Weights and Measures SQ-7 drawing: revision A: ORIGIN 28/07/20174

Cut Sheet

SQ-7 DIGITAL MIXER: The SQ-7 is a compact, affordable digital mixer, providing 37 analogue inputs and 18 analogue outputs of local I/O. All SQ series mixers are built around a powerful 48x36 processing matrix, running at 96kHz sample rate and featuring a 96Bit accumulator. SQ-7 has 32+1 faders, freely assignable across 6 layers, accompanied by a 7" touchscreen and 16 assignable softkeys and 8 assignable soft rotaries for easy operation. The unique SLink remote audio connection accepts any 48kHz or 96kHz Allen & Heath remote I/O expander or ME interface (SRC is handled by the SLink port). The audio option slot provides 64 channels of bidirectional audio on either 48kHz or 96kHz Dante or Waves Soundgrid, or an additional SLink port.5
Key Features: 48x36 Matrix 48 channels of Auto Mic Mixing SLink port for remote I/O expanders 96kHz, 96Bit External control drivers available 37 Analogue inputs, 18 analogue outputs5
Benefits: Slot for 64x64 channel Dante, Waves Soundgrid or SLink (96/48kHz) 8 Soft rotaries Channel LCD displays Extremely low latency (<0,7mS) 33 Faders 32x32 USB audio interface5

SQ Brochure

SQ-7: 32 onboard preamps. 33 faders. 16 SoftKeys. 8 Soft Rotaries.6

Getting Started Guide

Packed Items: SQ Digital Audio Mixer QR Code Card Safety booklet IEC mains lead7

Sources: allen-heath.com, Product page, all sections and Features, read Nov 1, 2026 UTC; allen-heath.com, SQ-7 Tech Datasheet, pages 1 to 7, read Nov 1, 2026 UTC; allen-heath.com, SQ-7 Weights & Dimensions drawing, drawing number 004-1041, read Nov 1, 2026 UTC; allen-heath.com, SQ-7 Cut Sheet, read Nov 1, 2026 UTC; allen-heath.com, SQ Brochure AP11417_3, pages 11 and 12, read Nov 1, 2026 UTC; support.allen-heath.com, SQ-5 / SQ-6 / SQ-7 Getting Started Guide, Packed Items, read Nov 1, 2026 UTC.

Size and weight

Inches and pounds, millimetres and kilograms

The product

What	Inches and pounds	Millimetres and kilograms
DimensionsDesk mounted, datasheet	W31.7×D20.3×H7.8 in	W804×D514.9×H198 mm
DimensionsWithout box, drawing	W31.65×D20.27×H7.81 inconverted	W804×D514.9×H198.5 mm
WeightUnpacked, datasheet	39.3 lb	17.8 kg
WeightWithout box, drawing	39.24 lbconverted	17.8 kg

The packaging

What	Inches and pounds	Millimetres and kilograms
DimensionsPacked in shipping box, datasheet	W37.8×D27×H14.2 in	W960×D685×H360 mm
DimensionsWith box, drawing	W37.8×D26.97×H14.17 inconverted	W960×D685×H360 mm
WeightPacked, datasheet	48.3 lb	21.9 kg
WeightWith box, drawing	48.28 lbconverted	21.9 kg

Figures in black are the maker’s. Figures in grey are converted by the wiki (1 in = 25.4 mm, 1 lb = 0.45359237 kg).

Documents

6 linked, none copied here

References

7 sources, each with the day it was read

allen-heath.com, Product page, all sections and Features, read Nov 1, 2026 UTC. Supports 20 specifications, the related products
allen-heath.com, Resources for SQ-7, read Nov 1, 2026 UTC. Supports the related products, the documents
allen-heath.com, SQ-7 Tech Datasheet, pages 1 to 7, read Nov 1, 2026 UTC. Supports 118 specifications, the documents
allen-heath.com, SQ-7 Weights & Dimensions drawing, drawing number 004-1041, read Nov 1, 2026 UTC. Supports 9 specifications, the documents
allen-heath.com, SQ-7 Cut Sheet, read Nov 1, 2026 UTC. Supports 3 specifications, the documents
allen-heath.com, SQ Brochure AP11417_3, pages 11 and 12, read Nov 1, 2026 UTC. Supports 1 specification, the related products, the documents
support.allen-heath.com, SQ-5 / SQ-6 / SQ-7 Getting Started Guide, Packed Items, read Nov 1, 2026 UTC. Supports 1 specification, the documents

Page history

Every read and every change to this page, newest first

Nov 1, 2026, 04:34 UTCPage created from the maker’s page, among the products buyers searched on PriceQ. Product type proposed. Descriptions written at three lengths from the specifications.Claude Opus (AI agent) · Not reviewed yet
Nov 1, 2026, 03:01 UTCRead on allen-heath.com: Product page, all sections and Features; Resources for SQ-7; SQ-7 Tech Datasheet, pages 1 to 7; SQ-7 Weights & Dimensions drawing, drawing number 004-1041; SQ-7 Cut Sheet; SQ Brochure AP11417_3, pages 11 and 12.Claude Opus (AI agent) · Not reviewed yet
Nov 1, 2026, 03:01 UTCRead on support.allen-heath.com: SQ-5 / SQ-6 / SQ-7 Getting Started Guide, Packed Items.Claude Opus (AI agent) · Not reviewed yet

The descriptions are written by the wiki from the specifications above, never copied from the maker.

Live prices · PriceQ

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